Tuesday, April 16, 2013

G.I. Joe: Retaliation - Full Review




G.I. Joe: Retaliation - (March 28th, 2013): PG-13
 
Distributor: Paramount Pictures
    
Opening Weekend Box Office: #1 with $40,501,8044

Domestic Box Office Gross to-date: $103,214,839

Gross Revenue: $271,514,839

Production Budget: $130 million

Director: Jon Chu


As I mentioned in the “Short and Sweet” review, the initial story behind Paramount’s decision to delay the release of G.I. Joe: Retaliation involved a post-production 3D-conversion; such an announcement wasn’t a big deal until some news hit the Internet, shattering the hopes that anyone had of the G.I. Joe franchise improving with this newest installment.  Based on the teaser trailer and the promotional focus on Dwayne Johnson, anyone with reasonable deduction skills could infer that Channing Tatum wasn’t going to survive the assault which decimated the military team and set the events into motion for “Retaliation”…unfortunately, reaction to that development wasn’t exactly ideal.  Because Tatum was nowhere near the A-List when Retaliation was filmed, killing his character wasn’t as blasphemous as it would be in a current project; but apparently, test audiences reacted so badly to the film (citing the interaction between Tatum and Johnson as the ONLY favorable element), that Paramount was forced to delay release so they could rewrite scenes, bring Tatum back, and schedule reshoots to increase his screen presence.  Now, The Rise of Cobra didn’t exactly qualify as a cinematic masterpiece, but it did have enough charm to attract some very loyal fans, so I have to ask: how could Retaliation screw up so badly that studio executives were willing to halt release and frantically move to try and execute improvements?  If there was one ray of hope, it was that a nine month delay would result in a significantly better film; so, with some aggressive marketing featuring the kind of hardcore action and attitude that had been missing from theaters for months, G.I. Joe: Retaliation was finally ready to be viewed…in 3D!

At the end of 2009’s Rise of Cobra, it was revealed that Cobra operative Zartan (Arnold Vosloo) is impersonating the President of the United States (Jonathan Pryce), and Retaliation begins with the elite G.I. Joes being framed for the theft of a nuclear arsenal in Pakistan.  Now seen as enemies of the state, the entire Joe team, including Duke (Channing Tatum), is eliminated in a military strike, with Roadblock (Dwayne Johnson), Flint (D.J. Cotrona), and Lady Jaye (Adrianne Palicki) being the only survivors.  Concurrently, Cobra operatives Storm Shadow (Byung-hun Lee) and Firefly (Ray Stevenson) break Cobra Commander (Luke Bracey) out of a maximum security prison, during which Storm Shadow is injured; as the assassin is recovering in the Himalayas, G.I. Joe ally Blind Master (RZA) sends Snake Eyes (Ray Park) and Jinx (Elodie Yung) to capture the fugitive.  As Roadblock, Flint, and Lady Jaye return to the United States, they deduce Zartan’s deception and seek out General Joseph Colton (Bruce Willis) for help in avenging their fallen comrades; equipped with new weapons and teaming up with Jinx and Snake Eyes, our heroes prepare to bring the fight to Cobra.  Unfortunately, the stakes are raised much higher when it is revealed that Zartan has already unleashed Project Zeus: kinetic bombardment weapons that have already decimated London and are currently targeting capitals around the world; so in addition to clearing their reputations and bringing Cobra to justice, it is once again up to the G.I. Joes to save the world.

Given my forgiving nature relative to The Rise of Cobra, it wasn’t going to take much for me to have a positive reaction to Retaliation; so, imagine the pleasant surprise when the first act of the narrative actually turned out to be a legitimately strong example of filmmaking.  When the team is first introduced, the combination of gadgetry and military tactics is genuinely cool, nowhere near the cartoonish style that caused so many to revile the franchise predecessor…you cannot help but be amped when the Joes take down the nuclear base.  And as far as bromance goes, Dwayne Johnson and Channing Tatum are hysterical together, and the genuine chemistry that the two showcase during their limited shared screen time makes it quite clear why test audiences responded so strongly to that interaction in the first place.  In terms of the other elements within Retaliation, the action sequences and one-on-one fights are exciting enough, and Adrianne Palicki will drop your jaw more than once, but beyond those accolades, there are some major flaws.  As I indicated earlier, the quality of this sequel takes a very noticeable nosedive once the Joes are attacked, abandoning any attempts at coherent storytelling or logical character development and thereby resulting in a bigger failure than the original attempt to bring the Hasbro characters to life.

Say what you will about the feasibility of the nanotech warheads or the acting of Sienna Miller in The Rise of Cobra, but as it stands, that kind of writing and acting actually deserves Oscar nominations compared to the trash that saturates Retaliation.  Within its own cartoonish world, the original G.I. Joe still exhibited some logical progression of events and thought, and the same can definitely not be said about the sequel; it’s hard enough buying that the world’s most elite fighting force was taken out in a SINGLE attack, but the reaction of the world’s leaders to Cobra’s grand plan is laughably bad...not even actual cartoons require that big a stretch of the imagination.  It is also pretty insulting how the script treats some of the more revered franchise characters like Flint and Storm Shadow; D.J. Cotrona is so wooden and lifeless that it is hard to believe that the script chose to keep him around instead of Tatum, and the attempted “redemption” of Storm Shadow makes no sense whatsoever and only serves to further rob the film of any credibility it may have possessed.  And in terms of the acting, RZA playing a blind Kung-Fu went as well as anyone could have expected, but nothing excuses Bruce Willis phoning-in a downright lazy performance…that’s strike two after A Good Day to Die Hard.  With the negatives far outweighing the positives, G.I. Joe: Retaliation may only be worth seeing for those hardcore fans of the legendary Hasbro property, because even with all the shiny weapons and stylish explosions, the shamefully weak final product cannot be hidden.

Opening over the Easter Holiday Weekend, G.I. Joe: Retaliation pulled in over $40.5 million, falling short of its predecessor but also earning the distinction of the second-highest Easter debut behind 2010’s Clash of the Titans and the highest debut for a Bruce Willis movie.  And thanks to 3D ticket prices and strong international appeal, overseas numbers have been absolutely through the roof, thereby helping Paramount’s newest project inch closer and closer to the $300 million mark.  Against a $130 million production budget, those kinds of numbers usually start talks for a sequel, but with a decidedly weak critical reception, it would be wise for filmmakers to simply quit while they are ahead, despite the fact that there is room for the story to continue.  With so many high-profile summer releases right around the corner, starting with Oblivion and Pain & Gain in the next few weeks, G.I. Joe: Retaliation’s best days are clearly gone, even though some tweaks could have enabled the Joes to face down any competitor…and to think, this was a project that was given nine extra months to improve AFTER audiences saw it.  Put it all together, and G.I. Joe: Retaliation may have hit the financial bulls-eye, but from a critical standpoint, there isn’t anything here but mindless entertainment, so don’t get your hopes up too high.
    
Overall Recommendation: Low