Sunday, December 2, 2012

Silver Linings Playbook: Short and Sweet

I have been hinting at the Oscar contenders of the Holiday Movie Season for weeks now, but with all the attention that has been heaped upon Daniel Day-Lewis and Steven Spielberg’s Lincoln, a low-budget indie seemed to slide-in under the radar.  After recent critical sweethearts like The Fighter, The King’s Speech, My Week with Marilyn, The Iron Lady, and The Artist, film aficionados have learned that they had damned well better pay attention anytime The Weinstein Company decides to release a film.  Because of the relatively light marketing campaign, by no means did Silver Linings Playbook represent a commercial cash grab; instead it represented a clear passion project for the ridiculously talented cast that would demand the attention of Academy voters and hopefully draw larger audiences as an added benefit.  In fact, Silver Linings Playbook wasn’t at the top of my must-see list until I heard critics declaring that the film would likely sweep Awards Season across the Actor, Actress, Supporting Actor, Director, and Picture categories.  With a wide release of only 371 theaters, Bradley Cooper and Jennifer Lawrence’s comedy-drama wasn’t easy to find, but it was likely going to be worth the effort.

Strange and off-putting, though oddly engrossing and charming, the true genius of Silver Linings Playbook lies in the strong direction and the altogether masterful performances delivered by the cast.  As a bipolar tortured soul, Bradley Cooper is ridiculously convincing and thoroughly entertaining to watch, and Robert De Niro’s performance is a testament to his legacy, but the true standout of this film is Jennifer Lawrence.  Holding her own against Hollywood veterans, Lawrence flawlessly transitions between charismatically offbeat and thoroughly unhinged; add that to her chemistry with Cooper, and she is the early frontrunner to take home the Best Actress Oscar.  Unfortunately, the script itself is not perfect as the manic pacing makes some conversations near-impossible to follow, the ending comes across as predictably convenient, and the inclusion of Chris Tucker amounts to little more than a cameo.  In the end, Silver Linings Playbook isn’t perfect, but if you are a fan of the cast, then you owe it to yourself to see the film that will likely have many of the included thespians delivering acceptance speeches in February.  

Overall Recommendation: High