Sunday, October 14, 2012

Taken 2: Full Review


Taken 2 - (October 5, 2012): PG-13

Distributor: 20th Century Fox
                                      
Opening Weekend Box Office: #1 with $49,514,769

Domestic Box Office Gross to-date: $86,759,000

Gross Revenue: $218,809,000

Production Budget: $45 million

Director: Oliver Megaton
 
Back in 2008, Luc Besson’s modestly budgeted tale of an ex-CIA agent tearing apart Paris to retrieve his kidnapped daughter hit the box office like a lightning bolt and garnered Liam Neeson a whole new generation of fans, so I’m sure that many, like myself, were downright giddy when the trailer for Taken 2 was released.  Now, from a marketing standpoint, it was near-impossible to create a defined selling point and attention-grabber like the now-iconic “good luck” phone message from the original trailer, but given the massive fan base that now exists for the Brian Mills character, I don’t think that 20th Century Fox had too much to worry about.  And, while the original was initially perceived as a standalone tale that didn’t really lend itself to a sequel, I had to admit that I was very curious concerning the expanded roles that Maggie Grace and Famke Janssen were being granted this time around…and really, who wouldn’t want to see more of Liam Neeson beating the hell out of criminals?  Unfortunately, warning bells started to go off when I saw the shamefully low critical reception that this sequel was receiving, thereby generating memories of other sequel missteps like Hangover 2; but then again, critics weren’t raving about the original when it was first released, so maybe everything would end up all right in the end.  After a ridiculously strong September that included entries like Dredd, End of Watch, and Looper, Taken 2 had potential to be the icing on the cake for loyal theatrical audiences and inject some much-needed life into the box office.

Following the considerable bloodshed and destruction that Brian Mills (Liam Neeson) used to punish sex-traffickers during the events of the original film, Taken 2 opens with Murad Hoxha (Rade Šerbedžija), the leader of the Albanian gang that was killed in Paris, swearing revenge on the American who took away his family.  Conveniently enough, Mills happens to be working a security detail in Istanbul and is soon surprised when his daughter, Kim (Maggie Grace), and ex-wife, Lenore (Famke Janssen), arrive for a much-needed vacation.  While her parents decide to tour the city, Kim stays behind in the hotel to allow them time to rekindle their relationship, but unfortunately, Hoxha’s men have already identified and seek to capture each member of the Mills family.  Though Brian soon realizes that he is being pursued, Lenore is captured and he is forced to surrender, but not before he is able to warn Kim and help her evade capture.  Facing a seemingly perilous situation, the ex-CIA agent must use all of the skills at his disposal to save himself and his family, all the while ensuring that these criminals never threaten the safety of his loved ones again.

As one might expect, Liam Neeson is once again at the top of his game in Taken 2, dominating the screen and solidifying his bankability as an A-lister, brutally and creatively punishing the villains of this narrative in a way that is guaranteed to please audiences.  While the rushed and energetic pacing of the original is absent this time around, that doesn’t mean that there aren’t some downright cool elements present, whether that involves a gripping car chase through the streets of Istanbul or a sequence where Kim helps her father by using grenades as a form of echo-location.  And, even though it may be a bit of a stretch of the imagination, it is still entertaining to see Maggie Grace embracing her inner super-spy and working with Neeson to stop the sex-traffickers…talk about a great father-daughter team.  If you wanted to judge the narrative of Taken 2 solely against the original, it is obvious that a great deal of the initial charm and surprise has worn thin, but there is still a natural progression to the story that does help deepen our connection to the characters, even if it wasn’t altogether necessary.  Now, with elements like these, Taken 2 is undeniably enjoyable, but there are several other factors that keep overall quality from reaching the heights of its glorified predecessor.     

While I may have just praised the overall narrative of Taken 2, upon closer inspection, many of the finer points and subplots are considerably weak, which, when added to the overall direction, does help explain why certain critics reacted with such hostility.  Like I hinted at earlier, it is enough of a stretch to believe that Brian Mills would allow his daughter anywhere near Istanbul, but even if you are able to get past all that, many of the subplots feel like filler.  In the original, after some brief exposition and character introduction, overall action levels went into overdrive, so with that kind of reputation, expecting audiences to sit through a scene where Kim attempts to get her driver’s license just comes across as a thoroughly infuriating delay until Liam Neeson kills something.  And, my regular readers know my opinion regarding hand-held cameras being used to film fight scenes, so imagine my reaction as the screen got shaky when Mills finally started fighting…way to detract from the one thing that a majority of audiences had been waiting for since the credits rolled back in 2008.  In the end, you should be able to enjoy Taken 2, but be warned, you are going to need to dramatically adjust your expectations before heading to the theater.

Well, critics may have responded negatively to Taken 2, but audiences clearly ignored the pre-release reception, responding in droves and granting Liam Neeson’s newest opening the highest October opening for a PG-13 film with just under $50 million.  And momentum certainly carried into the second weekend, with the sequel earning $22.5 million; more than enough to outperform new releases like Argo, Sinister, Here Comes the Boom, and Seven Psychopaths.  And, with a beefy international presence, Taken 2 has already gone north of $200 million against a $45 million budget, all but guaranteeing a sequel if Neeson decides to return.  Now, it was a stretch revisiting the kidnapping storyline this time around, so I can’t imagine what a third entry in the series would involve, but with those kind of numbers, I doubt anyone at 20th Century Fox cares…hey, maybe the time is ripe for “Taken 3: Stay Home Already.”  If you count yourself among the numerous fans of the original Taken, it definitely wouldn’t hurt to see this sequel, but it isn’t something that necessitates an immediate trip to the theater.   

Overall Recommendation: Medium