Tuesday, May 22, 2012

The Dictator: Full Review


The Dictator - (May 16th, 2012): R

Distributor: Paramount Pictures

Opening Weekend Box Office: #3 with $17,435,092

Domestic Box Office Gross to-date: $26,633,538

Gross Revenue: $56,933,538

Production Budget: $65 million

Director: Larry Charles

Now, dictatorial regimes and terrorism might not strike you as the most easily accessible material for a comedy, but in all honesty, is there any part of you that thought such a fact would stop Sacha Baron Cohen?  Early trailers certainly sent buzz through the roof, especially after the creative way in which archived footage featuring President Obama and Secretary of State Clinton was used to introduce the character of Admiral General Aladeen.  Admittedly, I do think that Cohen slightly overplayed his hand at the 84th Academy Awards when he spilled an urn supposedly filled with the ashes of Kim Jong-il on Ryan Seacrest; the ill-conceived stunt may have been a little tasteless, but at least it got people talking.  Personally, I was most curious about the fact that acting icon Sir Ben Kingsley had a role in this irreverent comedy…sure, the inclusion of names like Anna Farris, J.B. Smoove, and John C. Reilly made sense, but c’mon, the guy who won an Oscar for portraying Mohandas Gandhi?  Sure, backlash from lukewarm reaction to Brüno and this newest comedy’s R-rating didn’t exactly guarantee a strong influence on the box office, but the trailers were funny enough that my hopes remained high.

The Dictator opens with an introduction to the fictional North African Republic of Wadiya, which has been ruled with an iron fist for the past forty years by the anti-western despot, Admiral General Hafez Aladeen (Sacha Baron Cohen), who is currently obsessed with developing nuclear weapons.  After the U.N. Security Council threatens intervention, Aladeen reluctantly agrees to address the council in New York City, but soon after arriving, Aladeen is kidnapped by a government agent known only as Clayton (John C. Reilly).  It is revealed that Clayton was hired by Aladeen’s uncle, Tamir (Ben Kingsley), so that the despot could be replaced by a political decoy, one that can be manipulated into democratizing Wadiya and monetizing the country’s oil fields.  Aladeen escapes imprisonment, but his beard is shaved off and he is left virtually unrecognizable to his security team; encountering an offbeat political activist, Zoey (Anna Faris), Aladeen adopts a fictional identity and begins working at Zoey’s organic produce shop.  When he learns of Wadiya’s impending democratization, Aladeen enlists the help of a Wadiyan political refugee, Nadal (Jason Mantzoukas), so that he might be reinstated into power and keep his autocratic legacy alive.

In regards to sheer shock value, offensive material, and overall levels of hilarity, Cohen’s previous shining star, Borat, could be rated PG by comparison.  As the narrative continues on, just when you think that Cohen couldn’t push the envelope even further, he delivers another joke or scenario that will leave you shocked to the core; granted, you’ll be laughing, but still, you will be shocked.  In Brüno, Cohen relied almost solely on gross-out sight gags, and while there are certain instances of that within The Dictator, the gross-out factor has been toned down and substituted with merciless satire, which, more often than not, is handled in a rather clever matter…no wonder the film has been banned in several Middle Eastern countries.  The main focus on the movie may be Cohen himself, but when it comes to the supporting cast, Anna Faris is the most welcome addition, using her wide-eyed bewilderment as the perfect foil to the leading man’s insanity.  Bottom line, The Dictator is so funny that, even though you can never repeat some of the lines loudly in public, you will still be tempted to see the movie repeatedly so that you can still quote among your friends for years to come.

Now, the primary reason that The Dictator failed to achieve my highest recommendation is that the film is far too offensive to ever be classified as a mass-appeal comedy, but I do have to admit that it takes a little too long for the narrative to build momentum and that a number of the jokes fall completely flat.  The film may have a running time of only around eighty minutes, and though that is enough time to get the story done, it does serve to accentuate the fact that it takes almost twenty minutes for the comedic formula to truly start thriving.  Though there are a few truly great moments during the first act of the film, which focuses on Aladeen’s oppressive rule, the true laughs don’t take off until Aladeen comes to New York and is kidnapped, and that lull can alienate audiences with shortened attention spans.  I also cannot ignore the fact that there are a few jokes that fail completely and that the cast tries far too hard to resuscitate in vain, but the saving grace is that you are never too far from a truly unforgettable scene.  So, make no mistake, there are definite shortcomings to The Dictator, but I maintain that, unless you are a complete prude, you can find something that will appeal to your depraved sense of humor.

With a sub-par opening of $17 million, it seems that audiences are still unable to forget or look past the decidedly disappointing Brüno, but upon considering other variables, it isn’t time to write-off The Dictator quite yet.  An R-rated comedy will always have trouble drawing big numbers, simply because the potential audience is already reduced, and it certainly doesn’t help that this comedy was trying to draw viewers away from the cinematic phenomenon that is The Avengers.  I can only hope that word of mouth works to The Dictator’s advantage, and the reality is that no direct competition will hit theaters until That’s My Boy in mid-June…and we all know that Adam Sandler’s latest cinematic failure will go down in flames.  Foreign numbers are solid, so it looks like Paramount has little to worry about, especially against a $65 million production budget.  Needless to say, my faith in Sacha Baron Cohen’s comedic talent has been restored and I really hope that this offbeat comedy continues to build momentum.   

Overall Recommendation: High